In the last few months I have aquired a fair few of these coveted shadows: the good, the bad and the
ugly (I could never say ugly about a MAC shade, maybe disappointing is more appropriate!) and I thought I could share them with you in case you’re looking for advice for a purchase or even just as a quick read with your morning coffee on a Sunday much like today. So enjoy, as I have just as much fun rambling about my little pride and joys!
‘Phloof’ (top left of the palette) – I am obsessed with inner corner eye highlighting and therefore own a silly amount of shimmery white eyeshadows, so naturally when I was browsing the MAC counter I gravitated to the lighter shades on the shadow rainbow rack. ‘Phloof’ caught my eye as a perfect highlighting shade for both the contour areas on the face such as the top of the cheekbones, bridge of the nose and the dip on the cupid’s-bow, and also as an inner-eye-corner brightener. The champagney silver tone is not sparkly but rather it holds a natural looking sheen making it much easier to use as a highlighter – a favourite in my collection!
‘Espresso’ (top right of the palette) – I first heard about this matte, chocolate shadow from viviannadoesmakeup as she often boasts it’s multiple uses as both an eyeshadow but also brow filler. I agree that it’s a gorgeous shade that is multi-functional, highly pigmented and very flattering on all eye colours – an all round winner!
‘Bronze’ (bottom left of the palette) – I have to admit I was a little disappointed, just a little. I had had my eye on it for a while but tried to find alternatives in the drugstores like the Loreal Infallible Pressed Eyeshadow, the Maybelline Colour Tattoo and the Rimmel liquid shadow dupes, but nothing beats a bit a of luxury in the end does it? So I gave in to the craving and picked one up, however having tried it I have to admit that I actually prefer the drugstore’s alternatives as, unlike other MAC Eyeshadows, I found this one to have a particularly light pigment coverage requiring a good amount of work packing the product on to get a good colour payoff. Once a good amount of pigment is applied the shimmery colour pairs beautifully with the matte ‘Espresso’ and I find it makes blue eyes in particular really pop, but I wouldn’t say this is anything different to the cheaper alternatives.
‘Rule’ (bottom right of the palette) – This shadow is unlike anything else in my collection so it was a bit of a gamble purchasing it, however I used Christmas as a perfect opportunity to go outside my comfort zone and ask for it as a gift! I use this rusty orange colour mainly to warm the edges of an intense black smokey eye or to create interest with a pop of colour on the lower brow bone area when sporting nude shades. But it does also come in handy when while I’m messing around with over-the-top makeup looks that you can check out on my Instagram (there’s a link to the right of the page!). Like ‘Bronze’ it’s not the most pigmented eyeshadow, however I’m willing to let them off on this one as I only use a light hint of colour in the fear of ending up with umpa-lumpa eyes!
‘All That Glitters’ (bottom separate pan) – a favourite for many MAC lovers: a charmingly subtle shimmery pink champagne colour that is perfect to incorporate into a brown smokey eye or even by itself swept across the lid to add a little interest to an otherwise naked eyelid. It was the very first MAC eyeshadow I ever purchased, however it did take much debate. I found that the true quality and colour payoff can only be appreciated fully in real life: on photographs the colour appears a little darker and the tone comes out flatter, so it’s a shade to check out during your next peruse around your nearest MAC counter!
‘Club’ (top separate pan) – I was convinced by the ravings of Lily Pebbles’ love for this particular one, however I have only used it once in the six months I’ve had it in my collection. I find this a very difficult shade to work with – when applied with a brush barely any product is brushed on the skin, when applied with fingers more product is packed on but it is so poorly pigmented that the colour appears more as a dirty brown than a greeny-black. The man who sold me this shadow did show me a trick to make the colour stand out more though: he grabbed a black eyeliner pencil and coloured in a centimeter by centimeter square area of his hand and proceeded to push the shadow on top. The black base ensured that the muddy colour of the eyeshadow alone was not visible and only the interesting colour-changing quality was seen. This is therefore appropriate for a night out or even fancy dress but not wearable during the day in my opinion.